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  <title>Color as a Generative Principle in the Work of Sonia Delaunay</title>

  <subtitle>
    Art historical research by Nicholas Van-Orton examining color,
    simultaneism, perception, textile design and generative visual systems.
  </subtitle>

  <id>https://delaunaycolor.us/</id>

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  <updated>2026-11-03T00:00:00Z</updated>

  <author>
    <name>Nicholas Van-Orton</name>
    <uri>https://www.nvo987.us/</uri>
    <email>nvo@nvo987.us</email>
  </author>

  <rights>
    Copyright (c) 2026 Nicholas Van-Orton. All Rights Reserved.
  </rights>

  <category term="Art Historical Research"/>
  <category term="Sonia Delaunay"/>
  <category term="Color Theory"/>
  <category term="Modernism"/>
  <category term="Generative Art"/>

  <entry>

    <title>
      Color as a Generative Principle in the Work of Sonia Delaunay
    </title>

    <id>https://delaunaycolor.us/#research</id>

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    <updated>2026-11-03T00:00:00Z</updated>

    <author>
      <name>Nicholas Van-Orton</name>
    </author>

    <summary>
      An art-historical research study examining color as an
      autonomous, relational and generative principle in the
      artistic practice of Sonia Delaunay. The research explores
      simultaneism, painting, textile design, perception and the
      structural relationship between modernist color theory
      and contemporary digital visual systems.
    </summary>

    <category term="Sonia Delaunay"/>
    <category term="Simultaneism"/>
    <category term="Color Theory"/>
    <category term="Textile Design"/>
    <category term="Digital Visual Systems"/>

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